Get all 6 End of Hope releases available on Bandcamp and save 25%.
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End of Hope New York, New York
Loud, heavy, and fast.
Speed rock / hardcore punk band from New York City. Davey
Gunner (Kraut) on vocals, Davis Schlachter (Clothesline) on bass, David Richman (Netherlands, Witch Taint, St. Bastard) on drums, and Ken Wohlrob (Eternal Black, Swarm of Flies) on guitar.
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Traditional Black Magicks II
by Skull Servant
supported by 106 fans who also own “Nothing to See Here”
I don't think there's any band that sounds quite like Skull Servant does. The songs hit hard and heavy while maintaining a strong melody, and the two singers provide a contrast that makes every song feel unique. The crunchy guitar and bass tone puts a lot of power behind the riffs, and the songwriting and arrangement makes this feel like a concept album. If there's one thing Skull Servant does best, it's creating music that is dynamic and ever changing.
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The Hex of Penns Woods
by Almost Honest
supported by 102 fans who also own “Nothing to See Here”
Almost Honest have continued to push the envelope within the modern heavy underground scene. To David's point, while they reside within the Stoner/Doom landscape, they possess a wildly catchy, diverse and intriguing sense of songwriting, meticulously merging elements of grunge, punk, metal and alternative rock. Honestly, this could be their best work yet.
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Absinthe Dreams
by Skull Servant
supported by 92 fans who also own “Nothing to See Here”
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Dead Cross, Retox, and Qui members dish out subversive hardcore with an indignant smirk; come for the riffs, stay for the synth experiments.
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Escape From New York
by Cash Bribe
New York hardcore meets classic thrash metal meets Jane's Addiction-esque alternative on the Brooklyn crushers' sensational debut.
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Songs of the Exiled I: Chicago
by La Armada
Two crushing songs from Dominican-American hardcore punk group La Armada introduce a yearlong set of releases paying homage to their roots.
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supported by 92 fans who also own “Nothing to See Here”
Merci Déhà for the download code. Lots of bands use these ingredients – pretty female vocals over doomy guitars always sounds good, but usually that's where the ideas run out. That isn't the case here. Each song is packed with ideas and evolutions, genres and references it's boring to list but not at all to listen to. A pleasure to have been introduced to this.
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